In some cases, a portrait artist may choose his medium based solely on economic considerations. Painting
and sculpting materials can be extremely expensive, and completion of
portraits done in these media can require a large amount of time. On the
other hand, sketches and photographs can be created at low costs and in
relatively short time periods. Thus, an artist might decide upon a
format by weighing labor and material costs against the compensation he
will receive for the finished product.
The exact nature of a portrait artist’s day-to-day work is dictated by his customer. In some cases, artists are hired to create portraits of high-ranking figures like university deans, large company owners, and even presidents. This type of commission is usually high-paying and as such requires a carefully executed product. Subjects may pose for the artist for long periods of time, sometimes in the artist’s studio or at the subject’s office or home. The intended tone of the portrait may be left to the artist or may be dictated by the subject.
Often a portrait artist works in a much more casual setting. He may, for instance, set up an easel in a heavily touristed area and spend the day sketching passers-by who agree to sit for quick portraits. Sometimes his renderings are realistic and other times they can be comical. This type of portraiture, common at fairs and carnivals and also in public areas of European cities like Paris and Barcelona, tends to be executed very rapidly and is usually not well paid.
The exact nature of a portrait artist’s day-to-day work is dictated by his customer. In some cases, artists are hired to create portraits of high-ranking figures like university deans, large company owners, and even presidents. This type of commission is usually high-paying and as such requires a carefully executed product. Subjects may pose for the artist for long periods of time, sometimes in the artist’s studio or at the subject’s office or home. The intended tone of the portrait may be left to the artist or may be dictated by the subject.
Often a portrait artist works in a much more casual setting. He may, for instance, set up an easel in a heavily touristed area and spend the day sketching passers-by who agree to sit for quick portraits. Sometimes his renderings are realistic and other times they can be comical. This type of portraiture, common at fairs and carnivals and also in public areas of European cities like Paris and Barcelona, tends to be executed very rapidly and is usually not well paid.
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